Saturday, January 28, 2017
Monday, January 2, 2017
Awakening in Painting
Awakening in Painting
Painting and Verses by Dr Abe V Rotor
Evolution in acrylic AVR 2016
Emerging from a once arid earth,
where the elements of life are dearth;
welcome the sun, water, warmth and care ,
lightning and thunder, and prayer. ~
Sunday, January 1, 2017
Get out of your confine, love the sun
Dr Abe V Rotor
Dr Anselmo S Cabigan examines pine saplings in Lipa Batangas,
what trigger plants to bloom profusely;
insects metamorphose in their mid cycle,
midges swarm, like the locust do?
Why is the pine confined on the highland,
save a few acclimatized on the lowland;
the desert suddenly blooms after a rain,
returning barren in the scorching sun?
Why the firefly's lantern the purest light,
plankton glow in the deep, eyes flash;
silk the finest textile, honey the sweetest;
boundless, flawless the birds in flight.
Ask the naturalist, and if you are one,
talk to the trees, sing with the breeze,
crickets, greet the first rain in May,
get out of your confine, love the sun. ~
One Hundred Islands Fantasy
One Hundred Islands Fantasy
Dr Abe V Rotor
Dr Abe V Rotor
"Tres Marias" before a wall painting One Hundred Islands,
by the author at his residence, San Vicente Ilocos Sur 2016
Photo with Sony Cybershot 1080, unedited,
Imagination takes these kids to a place of fantasy,
so real they dream to go there someday;
in fact they're there now, hopping island to island,
riding on the wind and waves over the bay,
while we grownups believe only by our senses,
insatiable at a high price we've to pay. ~
Beauty and Fury
Dr Abe V Rotor
Beauty and Fury in acrylic (36"x 48") AVR 2016
Tranquility reigns on her face,
rage in her breast;
If beauty exudes best
from a spring of force,
I do not wonder at the shyness
of a crest,
and the power of a single rose. ~
Goya's Two peasants fighting and sinking in quicksand
They are so concerned with their quarrel that they do not appear to realize that they are sinking into quicksand.
Dr Abe V Rotor
Two Peasants Fighting. Oil on plaster transferred to canvas (481/2" x 105"), Museo National del Prado, Madrid (1819-23) by Francisco Goya, Spanish painter and muralist.
Explanation:
Goya painted the two peasants as an indictment against stubborn pride and senseless temper. A merciless critic of man's cruelty and folly, he attacks the ignorance not only of the nobleman, but the senseless dueling, but the peasant too, for there is no excuse for general brutality.
They are hacking at one another with cudgels. Another painter might have soaked us in blood, but this picture is all browns and blues, and the restraint in his handling of the broken head is all the more telling. (Bernard Myers, Goya 1970)
Applications:
- Talangka or crab mentality
- Matira ang matibay (Darwinian syndrome)
- American Civil War
Quaint Talipapa - People's Mall
Quaint Talipapa - People's Mall
Dr Abe V Rotor
Tahong and talaba
Shrimps and crabs
Shellfish and lobster
Pusit
Arusip (Caulerpa)
Talangka
It's people's market, a spontaneous institution;Everywhere, anywhere it rises in communionWith all walks of life converging into a ganglion,Serving felt needs, the yardstick of satisfaction;Name it: seaweeds, hito, giant grouper, tahong,Variety for all culinary, or just a meal's portion;Buffer against force majeure and economic recession;By any measure, sans dollar-peso conversion,Life goes on and on, so with the whole nation.~
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